Chapter XXVIII of XLII · Book Two

Mars and Venus

Benvenuto Cellini at the court of Francis I. See the Character Guides for how much of Cellini is genuinely real, drawn from his own memoirs.

The reader will doubtless have guessed the truth, no less accurately than Marmagne, strange as it may have appeared at first glance. The head of the colossus was Colombe's place of retreat. Mars furnished apartments for Venus, as Jacques Aubry said. For the second time Benvenuto gave his handiwork a part to play in his life, summoned the artist to the assistance of the man, and embodied his fate in his statues as well as his thought and his genius. He had on an earlier occasion concealed his means of escape in one of his figures; he was now concealing Colombe's freedom and Ascanio's happiness in another.

But, having reached this point in our narrative, it becomes necessary for greater clearness to retrace our steps a moment.

When Cellini finished the story of Stefana, there was a brief pause. Benvenuto saw, among the phantoms which stood out vividly in his painful, obtrusive memories of the past, the melancholy, but serene features of Stefana, twenty years dead. Ascanio, with head bent forward, was trying to recall the pale face of the woman who had leaned over his cradle and often awoke him in his infancy, while the tears fell from her sad eyes upon his chubby cheeks. Colombe was gazing with deep emotion at Benvenuto, whom another woman, young and pure like herself, had loved so dearly: at that moment his voice seemed to her almost as soft as Ascanio's, and between the two, both of whom loved her devotedly, she felt instinctively that she was as safe as a child could be upon its mother's knee.

Benvenuto was the first to break the silence.

"Well!" he said, "will Colombe trust herself to the man to whom Stefana intrusted Ascanio?"

"You are my father, he my brother," replied Colombe, giving a hand to each of them with modest grace and dignity, "and I place myself blindly in your hands to keep me for my husband."

"Thanks," said Ascanio, "thanks, my beloved, for your trust in him."

"You promise to obey me in everything, Colombe?" said Benvenuto.

"In everything."

"Then listen, my children. I have always been convinced that man could do what he would, but only with the assistance of God on high and time here below. To save you from Comte d'Orbec and infamy, and to give you to my Ascanio, I must have time, Colombe, and in a very few days you are to be the count's wife. First of all then the essential thing is to delay this unholy union, is it not, Colombe, my sister, my child, my daughter? There are times in this sad life when it is necessary to do wrong in order to prevent a crime. Will you be courageous and resolute? Will your love, which is so pure and devoted, be brave and strong as well? Tell me."

"Ascanio will answer for me," said Colombe, with a smile, turning to the youth. "It is his right to dispose of me."

"Have no fear, master: Colombe will be brave," said Ascanio.

"In that case, Colombe, will you, trusting in our loyalty and your own innocence, boldly leave this house and go with us?"

Ascanio started in surprise. Colombe looked at them both for a moment without speaking, then rose to her feet, and said simply,—

"Where am I to go?"

"O Colombe, Colombe!" cried Benvenuto, deeply moved by such absolute trust, "you are a noble, saintly creature, and yet Stefana made me very exacting in my ideal. Everything depended upon your reply. We are saved now, but there isn't a moment to lose. This is the decisive hour. God places it at our disposal, let us avail ourselves of it. Give me your hand, Colombe, and follow me."

The maiden lowered her veil as if to hide her blush from itself, then followed the master and Ascanio. The door between the Grand and Petit-Nesle was locked, but the key was in the lock. Benvenuto opened it noiselessly.

When they were passing through, Colombe stopped.

"Wait a moment," she said in a voice trembling with emotion; and upon the threshold of the house which she was leaving because it had ceased to be a sanctuary for her, the child knelt and prayed. Her prayer remained a secret between God and herself; but doubtless she prayed that he would forgive her father for what she was driven to do. Then she rose, calm and strong, and went on under the guidance of Cellini. Ascanio with troubled heart followed them in silence, gazing fondly at the white dress which fled before him in the shadow. They walked in this way across the garden of the Grand-Nesle; the songs and heedless, joyous laughter of the workmen at their supper, for it will be remembered that it was a holiday at the château, reached the ears of our friends, who were anxious and nervous as people ordinarily are at supreme moments.

When they reached the foot of the statue, Benvenuto left Colombe a moment, went to the foundry, and reappeared, laden with a long ladder which he leaned against the colossus. The moon, the celestial watcher, east her pale light upon the scene. Having made sure that the ladder was firmly fixed in its place, the master knelt upon one knee in front of Colombe. The most touching respect softened the sternness of his expression.

"My child," said he, "put your arms around me, and hold fast."

Colombe obeyed without a word, and Benvenuto lifted her as if she had been a feather.

"The brother," he said to Ascanio as he drew near, "must allow the father to carry his beloved daughter."

The powerful goldsmith, laden with the most precious of all burdens, started up the ladder as lightly as if he were carrying nothing heavier than a bird. As her head lay upon the master's shoulder, Colombe could watch his manly, good-humored faee, and felt a degree of filial trust in him which was unlike anything she had ever experienced. As to Cellini, so powerful was the will of this man of iron, that he was able to hold her in his arms, for whom he would have given his life two hours earlier, with a hand that did not tremble, nor did his heart heat more rapidly or a single one of his muscles of steel weaken for an instant. He had ordered his heart to be calm, and his heart had obeyed.

When he reached the neck of the statue he opened a small door, entered the head, and deposited Colombe therein.

The interior of this colossal head of a statue nearly sixty feet high formed a small round room some eight feet in diameter, and ten feet high; air and light made their way in through the openings for the eyes, nose, mouth, and ears. This miniature apartment Benvenuto made when he was working at the head; he used it as a receptacle for the tools he was using, so that he need not be at the trouble of taking them up and down five or six times a day; often too he carried up his lunch with him and set it out upon a table which stood in the centre of this unique dining-room, so that he had not to leave his scaffolding to take his morning meal. This innovation which was so convenient for him, made the place attractive to him; he followed up the table with a cot-bed, and latterly he had formed the habit of taking his noon-day siesta in the head of his Mars, as well as of breakfasting there. It was quite natural, therefore, that it should occur to him to ensconce Colombe in what was clearly the most secure hiding place of all he could offer her.

"This is where you must remain, Colombe," said Benvenuto, "and you must make up your mind to go down only after dark. Await here in this retreat, under God's eye and our watchful care, the result of my efforts. Jupiter," he added with a smile, alluding to the king's promise, "will finish, I trust, what Mars has begun. You don't understand, but I know what I mean. We have Olympus on our side, and you have Paradise. How can we not succeed? Come, smile a little, Colombe, for the future at least, if not for the present. I tell you in all seriousness that we have ground for hope. Hope therefore with confidence,—in God, if not in me. I have been in a sterner prison than yours, believe me, and my hope made me indifferent to my captivity. From now until the day that success crowns my efforts, Colombe, you will see me no more. Your brother Ascanio, who is less suspected and less closely watched than I am, will come to see you, and will stand guard over you. I rely upon him to transform this workman's chamber into a nun's cell. Now that I am about to leave you, mark well and remember my words: you have done all that you had to do, trustful and courageous child; the rest concerns me. We have now only to allow Providence time to do its part, Colombe. Now listen. Whatever happens remember this: however desperate your situation may seem to be or may really be, even though you stand at the altar and have naught left to say but the terrible Yes which would unite you forever to Comte d'Orbec, do not doubt your friend, Colombe; do not doubt your father, my child; rely upon God and upon us; I will arrive in time, I promise you. Will you have the requisite faith and resolution? Tell me."

"Yes," said the girl confidently.

"'Tis well," said Cellini. "Adieu. I leave you now in your solitude; when everybody is asleep, Ascanio will come and bring you what you need. Adieu, Colombe."

He held out his hand, but Colombe gave him her forehead to kiss as she was accustomed to do with her father. Benvenuto started, but, passing his hand over his eyes, he mastered the thoughts which came to his mind and the passions which raged in his heart, and deposited upon that spotless forehead the most paternal of kisses.

"Adieu, dear child of Stefana," he whispered, and went quickly down the ladder to Ascanio, with whom he joined the workmen, who had finished eating, but were drinking still.

A new life, a strange, dream-like life, thereupon began for Colombe, and she accommodated herself to it as she would have done to the life of a queen.

Let us see how the aerial chamber was furnished. It had already, as we know, a bed and a table. Ascanio added a low velvet chair, a Venetian mirror, a collection of religious books selected by Colombe herself, a crucifix,—a marvellous piece of carving,—and a silver vase, also from the master's hand, which was filled every night with fresh flowers. There was room for nothing more in the white shell, which contained so much of innocence and charm.

Colombe ordinarily slept during the day. Ascanio had advised that course for fear that, if she were awake, she might thoughtlessly do something that would betray her presence. She awoke with the stars and the nightingale's song, knelt upon her bed, in front of her crucifix, and remained for some time absorbed in fervent prayer; then she made her toilet, dressed her lovely, luxuriant hair, and sat and mused. Erelong a ladder would be placed against the statue and Ascanio would knock at the little door. If Colombe's toilet was completed, she would admit him and he would remain with her until midnight. At midnight, if the weather was fine, she would go down into the garden, and Ascanio would return to the Grand-Nesle for a few hours' sleep, while Colombe took her nightly walk, beginning once more the old dreams she used to dream in her favorite path, and which seemed now more likely to be fulfilled. After about two hours the white apparition would return to her snug retreat, where she would wait for daylight and her bedtime, inhaling the sweet odor of the flowers she had collected for her little nest, and listening to the singing of the nightingales in the Petit-Nesle, and the crowing of the cocks in the Pré-aux-Clercs.

Just before dawn Ascanio would return to his beloved once more, bringing her daily supply of provisions, adroitly subtracted from Dame Ruperta's larder by virtue of Cellini's complicity. Then they would sit for a while, conversing as only lovers can converse, evoking memories of the past, and forming plans for the future when they should be man and wife. Sometimes Ascanio would sit silently contemplating Colombe, and Colombe would meet his earnest gaze with her sweet smile. Often when they parted they had not exchanged a single word, but those were the occasions on which they said most. Had not each of them in his or her heart all that the other could have said, in addition to what the heart cannot say, but God reads?

Grief and solitude have this advantage in youth, that, while they make the heart nobler and greater, they preserve its freshness. Colombe, a proud, dignified maiden, was at the same time a light-hearted young madcap: so there were days when they laughed as well as days when they dreamed,—days when they played together like children; and, most astonishing thing of all, those days—or nights, for, as we have seen, the young people had inverted the order of nature—were not the ones that passed most quickly. Love, like every other shining thing, needs a little darkness to make its light shine the brighter.

Never did Ascanio utter a word that could alarm the timid, innocent child who called him brother. They were alone, and they loved each other; but for the very reason that they were alone they were the more conscious of the presence of God, whose heaven they saw nearer at hand, and for the very reason that they loved each other, they respected their love as a divinity.

As soon as the first rays of dawn began to cast a feeble light upon the roofs of the houses, Colombe regretfully sent her friend away, but called him back as many times as Juliet did Romeo. One or the other had always forgotten something of the greatest importance; however, they had to part at last, and Colombe, up to the moment, toward noon, when she committed her heart to God, and slept the sleep of the angels, would sit alone, and dream, listening to the voices whispering in her heart, and to the little birds singing under the lindens in her old garden. It goes without saying that Ascanio always carried the ladder away with him.

Every morning she strewed bread around the mouth of the statue for the little birds; the bold-faced little fellows would come and seize it, and fly quickly away again at first; but they gradually grew tame. Birds seem to understand the hearts of young girls, who are winged like themselves. They finally would remain for a long while, and would pay in song for the banquet with which Colombe regaled them. There was one audacious goldfinch who ventured within the room, and finally acquired the habit of eating from Colombe's hand at morning and evening. When the nights began to be a little cool, one night he allowed himself to be taken captive by the young prisoner, who put him in her bosom, and there he slept until morning, notwithstanding Ascanio's visit and Colombe's nightly promenade. After that the willing captive never failed to return at night. At daybreak he would begin to sing: Colombe would then hold him for Ascanio to kiss, and set him at liberty.

Thus did Colombe's days glide by in the head of the statue. Only two things occurred to disturb the tranquillity of her existence; those two things were the provost's domiciliary visits. Once Colombe awoke with a start at the sound of her father's voice. It was no dream; he was down in the garden beneath her, and Benvenuto was saying to him: "You ask what this colossal figure is, Monsieur d'Estourville? It is the statue of Mars, which his Majesty condescended to order for Fontainebleau. A little bauble sixty feet high, as you see!"

"It is of noble proportions, and very beautiful," replied D'Estourville; "but let us go on, this is not what I am in search of."

"No, it would be too easy to find."

And they passed on.

Colombe, kneeling with outstretched arms, felt an intense longing to cry out, "Father, father, I am here!" The old man was seeking his child, weeping for her perhaps; but the thought of Comte d'Orbec, the hateful schemes of Madame d'Etampes, and the memory of the conversation Ascanio overheard, paralyzed her impulse. And on the second visit the same impulse did not come to her when the voice of the odious count was mingled with the provost's.

"There's a curious statue built just like a house," said D'Orbec, as he halted at the foot of the colossus. "If it stands through the winter, the swallows will build their nests in it in the spring."

On the morning of the day when the mere voice of her fiancé so alarmed Colombe, Ascanio had brought her a letter from Cellini.

This letter, which filled Colombe's heart with joy by reviving her hopes, had the unfortunate result of causing the poor children to feel a dangerous sense of security. Youth is incapable of moderate feelings: it leaps at one bound from despair to the fullest confidence; in its eyes the sky is always black with tempests or resplendently clear. Being rendered doubly confident by the provost's absence and Cellini's letter, they neglected their precautions, and thought more of their love and less of prudence. Colombe was not so guarded in her movements, and Dame Perrine saw her, but luckily mistook her for the monk's ghost. Ascanio lighted the lamp without drawing the curtains, and the light was seen by Dame Ruperta. The tales of the two gossips taken in conjunction aroused the curiosity of Jacques Aubry, and the indiscreet student, like Horace in the "École des Femmes," revealed everything to the very person to whom he should have revealed absolutely nothing. We know the result of his disclosures.

Let us now return to the Hôtel d'Etampes.

When Marmagne was asked how he had stumbled upon his valuable discovery, he assumed an air of mystery and refused to tell. The truth was too simple, and did not reflect sufficient credit upon his penetration; he preferred to let it be understood that he had arrived at the magnificent results which aroused their wonder by dint of strategy and perseverance. The duchess was radiant; she went and came, and plied the viscount with questions. So they had her at last, the little rebel who had terrified them all! Madame d'Etampes determined to go in person to the Hôtel de Nesle to make sure of her friend's good fortune. Moreover, after what had happened after the flight, or rather the abduction, of Colombe, the girl must not be left at the Petit-Nesle. The duchess would take charge of her: she would take her to the Hôtel d'Etampes, and would keep a closer watch upon her than duenna and fiancé together had done; she would keep watch upon her as a rival, so that Colombe would surely be well guarded.

The duchess ordered her litter.

"The affair has been kept very secret," said she to the provost. "You, D'Orbec, are not the man to worry about a childish escapade of this sort? I don't see, then, what is to prevent the marriage from taking place, and our plans from being carried out."

"On the same conditions, of course, duchess?" said D'Orbec.

"To be sure, on the same conditions, my dear count. As to Benvenuto," continued the duchess, "who is guilty, either as principal or accessory, of an infamous abduction,—never fear, dear viscount, we will avenge you, while avenging ourselves."

"But I understand, madame," rejoined Marmagne, "that, the king in his artistic enthusiasm had made him a solemn promise, in case the statue of his Jupiter should be cast successfully, so that he will simply have to breathe a wish to see his wish gratified."

"Never fear, that's just where I will watch," rejoined the duchess; "I will prepare a surprise for him on that day that will be a surprise indeed. So rely upon me, and let me manage everything."

That was in truth the best thing they could do: not for a long while had the duchess seemed so eager, so animated, so charming. Her joy overflowed in spite of her. She sent the provost away in hot haste to summon his archers, and erelong that functionary, accompanied by D'Orbec and Marmagne, and preceded by a number of subordinates, arrived at the door of the Hôtel de Nesle, followed at a short distance by Madame d'Etampes, who waited upon the quay, trembling with impatience, and constantly thrusting her head out of the litter.

It was the dinner hour of the workmen, and Ascanio, Pagolo, little Jehan, and the women were the only occupants of the Grand-Nesle at the moment. Benvenuto was not expected until the evening of the following day, or the morning of the day following that. Ascanio, who received the visitors, supposed that it was a third domiciliary visit, and, as he had very positive orders from the master on that subject, he offered no resistance, but welcomed them, on the other hand, most courteously.

The provost, his friends and his retainers, went straight to the foundry.

"Open this door for us," said D'Estourville to Ascanio.

The young man's heart was oppressed with a terrible presentiment. However he might be mistaken, and as the least hesitation might awaken suspicion, he handed the provost the key without moving a muscle.

"Take that long ladder," said the provost to his archers.

They obeyed, and under Messire d'Estourville's guidance marched straight to the statue. There the provost himself put the ladder in place, and prepared to ascend, but Ascanio, pale with terror and wrath placed his foot on the first round.

"What is your purpose, messieurs?" he cried; "this statue is the master's masterpiece. It has been placed in my charge, and the first man who lays hand upon it for any purpose whatsoever is a dead man, I warn you!"

He drew from his belt a keen-edged, slender dagger, of such marvellous temper that it would cut through a gold crown at a single blow.

The provost gave a signal and his archers advanced upon Ascanio pike in hand. He made a desperate resistance and wounded two men; but he could do nothing alone against eight, leaving the provost, Marmagne, and D'Orbec out of the reckoning. He was forced to yield to superior numbers: he was thrown down, bound and gagged, and the provost started up the ladder, followed by two sergeants for fear of a surprise.

Colombe had heard and seen everything; her father found her in a swoon, for when she saw Ascanio fall she believed him to be dead.

Aroused to anger rather than anxiety by this sight, the provost threw Colombe roughly over his broad shoulders, and descended the ladder. The whole party then returned to the quay, the archers escorting Ascanio, at whom D'Orbec gazed most earnestly. Pagolo saw his comrade pass and did not stir. Little Jehan had disappeared. Scozzone alone, understanding nothing of what had taken place, tried to bar the door, crying,—

"What means this violence, messieurs? Why are you taking Ascanio away? Who is this woman?"

But at that moment the veil which covered Colombe's face fell off, and Scozzone recognized the model for the statue of Hebe.

Thereupon she stood aside, pale with jealousy, and allowed the provost and his people, as well as their prisoners, to pass without another word.

"What does this mean, and why have you abused this boy so?" demanded Madame d'Etampes, when she saw Ascanio bound, and pale and covered with blood. "Unbind him! unbind him!"

"Madame," said the provost, "this same boy resisted us desperately; he wounded two of my men; he is his master's accomplice without doubt, and it seems to me advisable to take him to some safe place."

"And furthermore," said D'Orbec in an undertone to the duchess, "he so strongly resembles the Italian page I saw at your reception, and who was present throughout our conversation, that, if he were not dressed differently, and if I had not heard him speak the language which you assured me the page could not understand, upon my honor, Madame la Duchesse, I would swear it was he!"

"You are right. Monsieur le Prévôt," said Madame d'Etampes hastily, thinking better of the order she had given to set Ascanio at liberty; "you are right, this young man may be dangerous. Make sure of his person."

"To the Châtelet with the prisoner," said the provost.

"And we," said the duchess, at whose side Colombe, still unconscious, had been placed,—"we, messieurs, will return to the Hôtel d'Etampes!"

A moment later the hoof-beats of a galloping horse rang out upon the pavement. It was little Jehan, riding off at full speed to tell Cellini what had taken place at the Hôtel de Nesle.

Ascanio, meanwhile, was committed to the Châtelet without having seen the duchess, and in ignorance of the part played by her in the event which destroyed his hopes.

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